“What a beautiful buzz.” The perfect song to throw on at 3 AM, when the party’s threatening to wind down and you want to keep it going ‘til the break of dawn. “Let’s do some living/After we die.”. Sympathy For The Devil’ Legend has it that Jagger & co. were in the middle of this brooding, satanic … The track keeps building in intensity until the horns kick in and the revelries are renewed. 4.7 out of 5 stars 164 ratings. This was the B-side to “Let’s Spend the Night Together”, and there’s quite the dispute as to who really wrote it. This is a straightforward, rough-and-ragged rocker bolstered by horns that seem to come out of nowhere. You may have heard it more than enough for one lifetime, but it'lll always be there for a new, adventurous generation to discover - and that is a very comforting thought indeed. MTV gave it heavy spin in ’84, but the song failed to connect with the masses. It’s not a terribly deep song, nor is it meant to be. When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. - Order by Phone 1-800-336-4627 This is a daunting task, but like a classic Stones track, it builds to a righteous conclusion. Jagger’s lyrics are a stinging evocation of on-the-skids New York City in the late ‘70s (“My brain’s been battered/Splattered all over Manhattan”), and it’s all conveyed with blasé insouciance. Listen free to The Rolling Stones – The Rolling Stones Greatest Hits ((I Can't Get No) Satisfaction, Brown Sugar and more). Aside from Simon Kirke on congas, this is the just the five Stones in a deep, loosey-goosey groove. I mention this because Scorsese has used the leadoff track to “Let It Bleed” in three movies, but the ultra-commercial director who’d give us “Home Alone” first used the LP recording in “Adventures in Babysitting”. The Rolling Stones ‎– Greatest Hits Label: Polydor ‎– 4607147922668, Universal Music Group ‎– 4607147922668, Rolling Stones Records ‎– 4607147922668, ABKCO ‎– 4607147922668 If you’ve ever been to a Stones show before, you know that nothing gets the crowd going like Keith stepping up to the microphone to blast out “Happy”. The long-running joke about Keith’s whiskey-and-cigarettes-scorched voice is that he can sing melody and harmony at the same time. © Copyright 2021 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. The lyrics are some of Jagger’s best (“Childhood living/Is Easy to do/The things you wanted/I bought them for you”), and, true to Stones form, flirt with sentimentality without dipping into full-on McCartney gush. Or that, despite being one of the Stones’ most iconic hits, it never topped the Billboard Hot 100 because Christopher Cross’s “Arthur’s Theme” and Hall & Oates’ “Private Eyes” traded off at number one? This is a classic “build” song that gradually introduces its sonic components before bringing them together in fiery harmony. The band didn’t release it as a … The just-out-of-tune rhythm guitar is a choice, and a brilliant one at that. The 500 Greatest Albums of All Time (2003) Lyrics: 1. Get the latest news and rumors, customized to your favorite sports and teams. A last-call ballad for the ages, this single off the underrated “Black and Blue” finds a troubled Jagger looking for comfort from lovers and friends, all of whom tell him he’s a “fool to cry”. Pour yourself a few fingers, and kick back for four sides of booze-soaked blues rock. The Stones played this both times I saw them live, and it feels like a tribute to Jones. Songs like that come out in five minutes; if I work on them more than, say, 20 minutes, they’re probably not going to work. “Is the whole album going to sound like this?” That was the question on every Stones fan’s mind when “Rocks Off” opened “Exile on Main St.” in all its muddy, unpolished glory. It’s a strangely tender song for the Stones. ), and builds back up. Pepper's Lonely Hearts Club Band (1967) by The Beatles / 2. Jagger wasn’t shy about his inspiration; he cited the end of “Hey Jude” (which was not a Spector gig) as the spark for this track. Jagger mostly collaborated with Leon Russell on the writing (and his influence is massively apparent), but the credit is still split with Richards. A great song doesn’t attempt to be anything — it just is. It’s a really weird hybrid, one of the strangest musical magic tricks the Stones ever pulled. R&B singer Irma Thomas dropped the first version with full lyrics in August 1964, but that version was quickly overshadowed by the Stones’ cover a month later. This is The Rolling Stones at their hybrid best. Always free! The Stones are wi... To mark the 50th anniversary of the Rolling Stones we're taking a look at some of their greatest hits...and there are a lot to choose from! It’s one of Keith’s best guitar riffs, and – between Wyman’s vibraphones, Hopkins’s and Jimmy Miller’s tambourine – a feast of instrumentation that never feels egregious. The dean of rock-and-roll criticism, Robert Christgau, says it’s “so compelling that it discourages exegesis.” It’s hard to shrug off the first verse as mere nonsense, which is basically a “Mandingo”-like fantasy of a slaver having his way with chattel. Everyone in the late 1970s messed around with disco, but The Rolling Stones not only did it on their own terms, they spearheaded a comeback behind it (it’s side one, track on on “Some Girls”, their first great LP since “Exile on Main St.”). Though The Valentinos’ take has a little more bounce to the ounce, the young Stones tear through the song with wild, blue-eyed abandon. SOME GIRLS Live in Texas ‘78. This site is protected by reCAPTCHA and the Google, the unique pleasure of listening to Keith Richards sing, The Valentinos’ (aka the Womack brothers’) jump blues throwback, It’s a strangely tender song for the Stones, Possibly the first rock song to tackle valium addiction, Steve Ballmer gesticulating and Bill Gates clapping nowhere near the rhythm at the Windows ’95 launch, The original “Exile on Main Street” track, This is The Rolling Stones at their hybrid best, A slow-burn companion piece to “Gimme Shelter”, The best song about a lads’ sleepover party ever, first recorded in 1963 by jazz trombonist Kai Winding, they don’t have Ian Stewart’s Vox Continental organ drifting under Keith Richards’s opening guitar lick, The penultimate track on “Exile on Main Street”. There’s also no beating that piano intro from Nicky Hopkins, nor, for that matter, Brian Jones’s mellotron playing throughout the track. One reading of the lyrics suggests that Jagger’s “character” has carnal knowledge of the young woman’s “heiress” mother. It’s a tough song about regret. This is also the last song Meredith Hunter heard in his too-short life. The Rolling Stones are Rock 'n' Roll legends-- released to coincide with the band's 50th Anniversary, Grrrr!Greatest Hits is an excellent overview of The Rolling Stones' entire career beginning with their first single, a cover of Chuck Berry's "Come On," and culminating with two tracks recorded especially for this collection: "Doom And Gloom" and "One More Shot". But rock-and-roll is primitive, and Little Richard covered the song, so what are you gonna do? By the end of the song, he owns up to being a “certified fool”. “Making love and breaking hearts/It is a game for youth.” Jagger was shacking up with Jerry Hall at the time, and the record shows that he was not faithful to her thereafter, but it’s a touching moment of clarity nonetheless. Another classic Stones track with two distinctly different versions. The Beatles might've been the first band to make landfall in the 1960s British Invasion, but their prominence was immediately challenged by dozens of groups from across the pond eager to do it bigger and better than the Fab Four. That’s soul chanteuse Merry Clayton belting out “Rape, murder, it’s just a shot away” over the chorus. It’s just another iconic opening guitar riff (this one from Jonesy), and a rambunctious groove that picks up steam behind that great harmony on “Here it comes…” There were so many great artists testing the boundaries of a new musical genre in the mid-1960s, and this is one of those perfect songs that materializes while you’re noodling around with your chums in the garage. The “Stripped” recording from 1995 (with a much tidier Darryl Jones on bass) is a cleaned-up country track; it’s a great performance, but it lacks the addled magic of the “Exile” take (which closes out Rian Johnson’s superb “Knives Out”). The Stones closed out “Let It Bleed” with this gloriously overblown track that, fifteen years later, became the Baby Boomer anthem for settling via its irritating use in “The Big Chill”. It even snagged the second-place spot in Rolling Stone’s 500 Greatest Songs of All Time list in 2011. They were the punk kids who slipped through the upstairs window at night with a bottle of booze and a pack of cigarettes. “I am just living to be lying by your side/But I’m just a moonlight mile down the road.” This lovely ballad about the enervating experience of touring is a lyric tour-de-force for Jagger. Send us a tip using our anonymous form. Overall its a good choice of songs and make this a good compilation of 50 years of The Rolling Stones. She’s So Cold Lyrics: 10. What a knockout of a cut. Radio DJs loved to play this track into the fade so listeners heard at least one refrain of “You make a dead man come.”. They brought it back for their 2006 tour, but Mick’s upper register was shot by this point; the studio recording is aces, though, and deserves a bigger following. Pepper’s Lonely Hearts Club Band”, Mick and the gang undertook “Their Satanic Majesties Request”, which didn’t have anywhere near the same impact. The Rolling Stones wrap up Let It Bleed with a chance at redemption, arguably the greatest album closer of all time. This is a lightweight single with a helluva hook – a hook so irresistible it turned The Verve’s “Bitter Sweet Symphony” into a hit thirty years later. You may not be able to hear “Start Me Up” anymore without thinking of Steve Ballmer gesticulating and Bill Gates clapping nowhere near the rhythm at the Windows ’95 launch. This is what The Beatles couldn’t do. The lyrics are flowery nonsense, but at least the band sounds semi-sincere in their sentiment. The party must go on. This countrified rocker, with its casual allusions to heroin use, makes giving up sound like a party. This is the Stones’ brand of sentiment. Having studied both cues recently, I’m going to be lenient and say there’s not a wrong choice. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. The Complete Works: Ranking All 374 Rolling Stones Songs An honest look at the world’s greatest rock-and-roll band. Inauguration Day 2021: How to Watch Joe Biden's Presidential Inauguration Online, New Radicals to Reunite for First Time in 22 Years for Biden Inauguration Parade, We’re All Missing the Point of the Armie Hammer Cannibalism Scandal, Jason ‘Rowdy’ Cope, Guitarist for the Steel Woods, Dead at 42, Best Music 2020: Join Waxahatchee in Conversation With Rolling Stone, 500 Greatest Albums Podcast: How Missy Elliott and Timbaland Showed Us Hip-Hop’s Future with ‘Supa Dupa Fly’, Kylie Minogue Taps Dua Lipa for ‘Real Groove’ Remix. It’s how a basketball player must feel when he starts hitting every shot, when you’re in that zone. Who kicks off a rock song about “street fighting” with an acoustic guitar, then segues into a chorus with sitar? Producers: The … Lady Jane Lyrics: 2. There’s not an electric guitar in sight (Nicky Hopkins’ piano kicks in where the rhythm axe typically adds muscle), and this is still about as rousing a call-to-arms as you’ll ever hear – even though the lyrics advocate starting a rock band rather than inciting a “palace revolution”. When I’m writing a song that I know is going to work, it’s a feeling of euphoria. Every “good girl” on the planet fell hard for that delectably nasty Mick Jagger via this seductive track in which a bad, bad boy warns/dares a young woman of means to keep her distance. And unlike The Beatles, the Stones managed their internal disputes and kept churning out new music into the 2000s. The Rolling Stones, 'Miss You' Writers: Mick Jagger, Keith Richards. Emotional Rescue Lyrics: 3. The Rolling Stones pose for a portrait on their "Satisfaction" album cover. $5.50. So if you're looking to single out their fifty greatest songs, you have a lot to choose from. The best song about a lads’ sleepover party ever! The difference here is that it starts big, drops down to an acoustic guitar and French horn (thanks, Al Kooper! What if I told you Chris Columbus beat Martin Scorsese to “Gimme Shelter” by three years? Stephen Jackson: Kyrie Irving bought home for George Floyd's family, Antonio Brown undergoing MRI on injured knee, Geno Auriemma: Most players against COVID-19 shutdown, NBA postpones Wednesday’s Wizards-Hornets game, Patrick Mahomes still in concussion protocol. This was the Stones’ first top ten hit in the U.S. A killer side one/track one that is, unfortunately, a lyrical nightmare. Written by Jerry Ragovoy (under the pseudonym Norman Meade), this song was first recorded in 1963 by jazz trombonist Kai Winding, who took the verses (those lyrics were added later) while the knockout backup trio of Cissy Houston, Dionne Warwick and Dee Dee Warwick sang the chorus. First off, it’s a better song. There are some superb covers out there from Otis Redding, The Residents and, the best of all, Devo, but there’s no topping the original. “You know marrying money is a full-time job/I don’t need the aggravation/I’m a lazy slob.” Absent this lyric, you might think the Stones were tearing into the welfare class in England and the U.S. It’s a deeply sarcastic song about class disparity that plays with renewed vigor today. In which Mick Jagger confesses he’s tired of chasing tail and boozing it up with the boys. It’s the “Mama Said Knock You Out” of its day. “Honey, I missed your two-tongue kisses/Legs wrapped around me tight/If I ever get back to Fun City, girl/I’m gonna make you scream all night.” It goes without saying that Jagger isn’t planning to take this girl to a haunted hayride. It did the trick (the song hit number one on the Billboard charts), but it really does sound like a talented band buying time. The Rolling Stones Greatest Hits Vinyl LP 6.21614 AG The Rolling Stones Format: Vinyl. This sounds like an outtake from the “Let It Bleed” or “Sticky Fingers”, which could be due to the session band (Ronnie Wood on the twelve-string, Willie Weeks on bass, Kenney Jones on drums and David Bowie providing background vocals) letting it all hang out on a one-time gig. I don't have any issues with the packaging, it's the typical BluRay case with a booklet with a small amount of info about each track. This is as good as white-boy blues rock gets. $12.97. It seems to be a very personal song for Keith (who was writing about his girlfriend at the time), but Marianne Faithfull claims it was a collaboration between her and Brian Jones. It … Whether in response to the (then) recently released “Dirty Harry” or urban police brutality in general, this is a track that is crazy relevant today. So much cowbell. It’s an older song in their discography than many people realize; the band recorded it in 1968 as a back-to-basics rocker in response to their fan base’s displeasure with the ’67 LP, “Their Satanic Majesties Request”. Want more Rolling Stone? The Stones scored their first number one hit in the UK with this cover of The Valentinos’ (aka the Womack brothers’) jump blues throwback that, shockingly, failed to get a great deal of radio play on white pop stations. This is the Stones at their bluesy, boozy best. The song lost its power to shock long ago, but imagine throwing on “Beggars Banquet” in 1968 and hearing this a month after Nixon was elected president. “And though she’s not really ill…” has always been the tell for me, but, over fifty years later, we understand that anxiety is an affliction that does not discriminate. It transcends time. 30 tracks (106:06). Revolver (1966) by The Beatles / 4. The lyrics describe a funeral procession for someone close to Jagger (“I see a line of cars and they’re all painted black/With flowers and my love, both never to come back”), but there appears to be no specific, real-life inspiration for the song – which is amazing because it’s hard to think of a song more direct and shattering in expressing grief. The lyrics are nasty (everyone and their disapproving father knew what “And I’m trying to make some girl” meant), Keith’s hook is down-and-dirty and the Jagger swagger established the Stones as the bad-boy British Invasion alternative to The Beatles (girls wanted to date John, Paul or George; they wanted to “make” Mick, Keith and Brian – no “or” about it). The Stones quickly learned that the music industry waits for no one when their label started hounding them for a follow-up to “(I Can’t Get No) Satisfaction”. It’s hard to say, which lends it an unexpected layer of melancholy. $16.24. As soon as you start, you get that magic feeling, an extra feeling. Their stripped down recording – it’s just Mick, Keith on a twelve-string and a baroque string arrangement by Mike Leander – is the kind of track kids in the ‘60s would play for their parents to prove rock-and-roll wasn’t noise. Honk - Rolling Stones The 2 CD Set Sealed ! That tinny guitar lick provides a slightly off-key prelude to the unique pleasure of listening to Keith Richards sing. Greatest Hits 1962-2012 (5-LP Boxset + 36 Page Booklet) by The Rolling Stones - Vinyl LP (2012) for $145.95 from OLDIES.com Pop / Rock Rolling Stone : 4.5 stars out of 5 -- '[T]he best and most comprehensive collection of the band's high points available.' As is the case with most Stones songs of that era, Jones was the special sauce (in this case, he played the recorder). It’s pretty standard balladry, but there are some uncommon flourishes (particularly that ghost vocal track) that set it apart. “Undercover” is a baffling, overproduced album, but to the Stones’ credit they weren’t emulating anyone near as anybody could tell. This song has calm music, makes you happy when you're listening it. New ! It’s a great rocker, but, let’s be honest, Wyman’s working the cymbals way too hard. The penultimate track on “Exile on Main Street” opens with a brief eulogy for Brian Jones (“Saw you stretched out in room ten-oh-nine/With a smile on your face and a tear right in your eye”), and turns into a gospel-tinged farewell to a tortured friend. It’s a song about a cad threatening a reliable hookup with abstention. This fairly vague and innocuous song about yearning turns into something special when the bridge hits. The Stones at their peak with songwriting help from Marianne Faithfull (who recorded the tune first), slide guitar from Ry Cooder and ivory thumpin’ from Jack Nitzsche. According to Rolling Stone, this is the second greatest rock song of all time (behind Bob Dylan’s “Like a Rolling Stone”, which is so effing twee). Relationship between Rams' Jared Goff, Sean McVay 'not great'? “Send me dead flowers by the U.S. Mail.” Not a problem nowadays! The boys at their bratty best. Pet Sounds (1966) by The Beach Boys / 3. Jagger spills out his pain on the electric piano, and Keith’s guitar wails along with him. This is mostly a Keith composition, but Mick sings it like it’s his. “Heartbreakers/With your .44/I want to tear your world apart.” That’s the good stuff, Mick. It’s going to work over an audience regardless of genre. Okay, Ed Sullivan didn’t see it that way (the band performed the song as “Let’s Spend Some Time Together” on his show in 1967, replete with eye-rolling from Jagger), but the song is so timid in its deployment of double entendres (compared to previous Stones hits of that era) that you wonder what the fuss was about. Bill Wyman conjures a James Jamerson vibe on the bass, which – along with Ian McLagen’s Wurlitzer piano, Mel Collins slippery tenor saxophone and Sugar Blue’s wailing harmonica – turns this into one of the bluesier funk tracks you’ll ever hear. This track changed lives. The Rolling Stones weren't bigger than The Beatles in their prime, but they were certainly badder. This kicked off the Stones’ epic album run of “Beggars Banquet”, “Let It Bleed”, “Sticky Fingers” and “Exile on Main St.”. One of my 3 favorite songs of The Rolling Stones, with Satisfaction and Paint It Black. Don’t call it a comeback. We want to hear from you! You can play this as a country song, a rock song or a rhythm-and-blues song. Jagger’s point is that humanity has reliably done the devil’s work throughout the millennia, and, well, look at where we are in 2020. The title track is nutty, but this straightforward rocker redeems the entire endeavor. While The Beatles were hitting new heights (and highs) with “Revolver” and “Sgt. This song was meant to be. Yet another Stones track we take for granted. "(I Can't Get No) Satisfaction" (1965) According to Rolling Stone, this is the second greatest rock … View credits, reviews, tracks and shop for the 1977 Vinyl release of Greatest Hits Vol. The first two versions are terrific, but they don’t have Ian Stewart’s Vox Continental organ drifting under Keith Richards’s opening guitar lick. The London Bach Choir brings the bombast, but unlike Phil Spector’s symphonic work on The Beatles’ “Let It Be”, the Stones actually wanted this ornamentation. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. Sign up for our newsletter. According to Keith, like so much inspiration, it just “came out flying.” “I just found the tuning and the riff and started to swing it and Charlie picked up on it just like that, and we're thinking, hey, this is some groove.” The song’s middle section picks up with congas from Rocky Dijon and additional percussion courtesy of Jimmy Miller, but the real muscle comes from Billy Preston on the organ and Bobby Keys tearing it up on the saxophone. I love this song. This is the kind of experimentation that would lead the band astray throughout much of the next decade, but it’s pretty hard to miss with this A-plus personnel. 58 tracks (234:38). This track might’ve saved the band. His second book, "When It Was Cool", is due out in 2020. We can do this whenever we please. GRRR! Sgt. The lick-trading chemistry between Keith and Wood is effervescent, but never overwhelms the laidback vibe. I understand “Goats Head Soup” isn’t “Exile on Main St.”, but any album that contains “Angie”, “Starf***er”, “Coming Down Again” and this all-timer deserves a little more love than it typically receives. It's all the hits you know by heart: " (I Can't Get No) Satisfaction," "Get Off of My Cloud," "Paint … This one’s a journey. It’s the poet’s version of “Turn the Page”. They were incorrigible. “See it come along/Don’t know where it’s from/Oh, yes, you will find out.” The narrator is explaining a moment of discovery that has yet to occur, something that we learn, via the second dive into the bridge, “will pierce our bones” with fear. That song had everything — different melodies, opera, R&B, rock — and it explored all of those different genres in an authentic way, where it felt natural. The special sauce here is Clydie King, Venetta Fields and Sherile Matthews; the Stones could strike a honky-tonk vibe here and there, but this is essentially the mission statement for the album. Jagger’s sarcasm is cutting as ever. Another classic off the alleged disaster that is “Goats Head Soup”. These are the best Songs in the World. It’s a shallow song all told, but it’s become a signature song for the band. There’s a heavy Gram Parsons influence here, and the weight of Altamont is present. No dwelling allowed. This is the closing song on the uneven “Goats Head Soup”, and it’s an old-fashioned Stones rocker that only works in uncensored form (“You’re a starfu**er”). Jeremy Smith is a freelance entertainment writer, and the author of "George Clooney: Anatomy of an Actor". That opening riff! 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