Another lo-fi gem from Whitechocolatespaceegg, ‘Perfect World’ sees Phair striving to be someone else, someone “cool, tall, vulnerable, and luscious”. Much of Phair’s DIY background informed her guitar playing and signature vocals, but it also helped her develop her own idiosyncratic style of phrasing, as heard Whip-Smart’s closing kiss-off. As the follow-up to her self-titled 2003 album , Somebody’s Miracle marked a (partial) return to form. Liz Phair; Funstyle. Breaking out from the more structured (ok, downright rigid) pop of her past two albums, Liz Phair raps, chants, and bites back on her best effort since the '90s. On October 8, 2019, Phair shared "Good Side," a song from these sessions. ‘S__tloads Of Money’ originated from her Girly-Sound days, then later appeared on Whitechocolatespaceegg, with the same chorus but new verses. Track listing ▸ 1 Smoke 3:12 ▸ 2 Bollywood 2:36 ▸ 3 You Should Know Me 2:56 ▸ 4 Miss September 4:26 ▸ 5 My My 3:32 ▸ 6 Oh, Bangladesh 4:39 ▸ 7 Bang! Elsewhere on "Funstyle," Phair sends more confusing mixed signals, in material that intrigues on a cut-by-cut basis but doesn't quite hang together as a complete work. Upcoming Lyrics. The Liz Phair that people can’t stop writing about and can’t stop listening to. Another Girly-Sound demo that made it onto her debut album, ‘Divorce Song’ has the same sprightly sound that all great road-trip songs possess, but with tragic results. The other is that they are not the particular flavors of horrible anybody would ever have guessed Phair would perpetrate. Another unsung cut off Whip-Smart, ‘May Queen’ sees Phair showing off her melodic range as she works her way up the solfège scale. Some of it is organized almost like a play or script, with overlapping voices, etc. She's kind of done that already. The veteran singer-songwriter surprise releases a new album, and it's a baffling mix of wacky beat-driven tunes and more conventional songs. Even beyond the ghastly FruityLoops-and-varispeed numbers, though, there are some more conventionally cruddy songs here, like "Satisfied", a Bryan Adams-level string of clichés: "I came, I saw, I kicked its ass/ I walked away and I never looked back/ I remember you when you held my hair/ As I puked, oh, everywhere". Pitchfork is the most trusted voice in music. Throughout all the Liz Phair songs, she would never run out of hilarious descriptors for her lovers’ “talents”. Actually, strip away the early-2000s ‘nu metal’ flavouring that was customary for radio rock at that time, and it’s 2003’s Liz Phair this album most resembles musically. This fan favourite first appeared on Phair’s Girly-Sound demo tapes but didn’t see a proper release until it appeared as ‘Don’t Hold Your Breath (If I Ever Pay You Back)’ on a limited 2CD edition of Phair’s 2010 album, Funstyle, and later as part of the career-spanning Girly-Sound To Guyville boxset. It's one of Funstyle's four key tracks, all in a similar prefab-beats-and-wacky-voices vein; another is "U Hate It", a patchwork thing (with fake Prince harmonies) about how much everybody's going to think her record sucks, unless it's a hit, in which case they'll pretend they all loved her in the first place and her success was their doing. Picking up where Exile In Guyville left off, Whip-Smart is just as brazen, albeit a little more polished. With its long, extended instrumental intro of distorted guitars and crashing drums, it almost feels specially reserved for Phair’s loyal fanbase – which makes sense, considering the song had been gestating since 1999. Liz was back to her old self-deprecating ways, but sonically the album took some detours, from the country twang of ‘Got My Own Thing’ to the Rolling Stones-leaning ‘Why I Lie’. At the very least, it's a shrewd way to lower expectations. Arguably, her most popular song is the pop-crossover song “Why Can’t…. Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. Phair brought her brand of sexual candour to the charts when she got her first taste of mainstream success with ‘Supernova’, from her sophomore record, Whip-Smart. album: "Exile In Guyville" (1993) 6'1". The sub-Jewel alt-country move? Two things are immediately evident about those four songs. One of the more raucous moments on her debut album, its distorted guitars are outmatched only by her disgust. As Phair’s poppier direction divided fans, most could acknowledge that her self-titled album featured some of her strongest vocal performances. Liz Phair was part of the second-wave of Riot Grrrl culture. In April 2020, it was announced that Liz Phair would appear on a cover version of "Hanging on the Telephone" (Blondie and The Nerves) with former friend and collaborator Jim Ellison of Material Issue. With its snarling guitars and propulsive drums, ‘Jealousy’ found Phair graduating from her old garage-rock days. Never Said. It’s musically spare, but borrows Pixies’ rumbling guitar riffs to great effect. Billboard Hot 100. ‘6’1”’ Phair may be diminutive in stature, but not in bravado, as she stares down her target on Exile In … Four years after Whip-Smart, Phair embraced family life and headed in a sunnier direction on Whitechocolatespaceegg. ... Liz Phair is among several artists who participated in Twitter’s new # ... the follow-up to 2010’s Funstyle. In 1993, Liz Phair broke onto the scene with her revelatory debut album, Exile In Guyville, which both staked her place in the indie rock scene while also giving a giant finger to the rock establishment. Taking a leap into adulthood on Whitechocolatespaceegg, she also tried taking herself out of the narrative and tried on a few characters, creating vivid vignettes like ‘Uncle Alvarez’. 2. Liz Phair's songs: Listen to songs by Liz Phair on Myspace, Stream Free Online Music by Liz Phair In 2019, Liz Phair dropped a new single, her first proper new release in almost a decade since 2010’s Funstyle. With another singalong chorus and giant hooks, Phair’s confidence is infectious. Funstyle by Liz Phair album reviews & Metacritic score: Liz Phair left Capitol Records in 2008. “I can’t believe you had a life before me/I can’t believe they let you run around free,” she seethes, succumbing to the green-eyed monster. Fania Records: How A New York Label Took Salsa To The World, Pride Of The Opry: Charley Pride Makes Musical And Cultural History, ‘Here Come The Warm Jets’: Bathing In Brian Eno’s Genius. The lead single off her 2003 self-titled album, ‘Why Can’t I?’ perfectly captures the first rush of love, backed by ethereal guitar reverb. Liz Phair Encourages Voting in New Voice Tweet Song Althea Legaspi 9/17/2020. While this brave persona breaks down over the course of the record, ‘6’1”’ never loses its punch. Lyrics to 'Elvis Song' by Liz Phair. And it's true--what Funstyle lacks in fuck-all-y'all formal purity it possesses in the flickers of songcraft she can't shake. Everyone's talking 'bout Elvis 'Cause it seems like the thing that we do Elvis is walking around listlessly Seems he can't even die if he wanted to Help Me Mary. If the album was, in fact, a retort to The Rolling Stones’ Exile On Main St, Phair proved she could be as equally lascivious as Jagger and co. Her seventh album, titled Soberish, will be released in the summer of 2020. 3. Good Side proves she still is our perfect pop princess, Your email address will not be published. It's hard to avoid scavenging it for salvageable bits. Top Lyrics of 2011. The anthemic, indie-rock single dominated alt.rock radio and signalled her new hooky, pop-rock direction. No, it's mostly normal songs; "Bollywood" is not really a representative track. The pop-rock ballad remains her highest-charting single to date and proved that Phair could play the pop game, too. The nicotine-stained voice on her 1993 debut, Exile in Guyville, is as insensitive and self-centered as that of any frat boy, while self-explanatory songs such as "F*ck and Run" and the unladylike lust of "Flower" were hardly the mixed signals or catty whispering the media had come to expect from … 1. From Girly-Sound to ‘… Guyville’, the best Liz Phair songs reveal a songwriter who crafts pop songs with candour and sharp narrative detail. The only comparable album that comes to mind is Bob Dylan's 1970 double-middle-finger double-LP Self Portrait, on which he successfully alienated the audience that had been paying too much attention to him. Whenever Exile In Guyville is reduced to shorthand, ‘Flower’, and its infamous “blowjob queen” declaration, is what’s most often invoked. In songs like “Little Digger” (Phair explains the new man in her life to her), she addresses issues in which she has an emotional stake. Funstyle has songs that are nothing like you've ever done before, not even close. Recently Added. Like much of the album, it all sounds very insular as she quietly strums along, plotting out what a fantasy of “having it all” would entail. Only when she’s 30,000 feet in the air does Phair realise how small her ambitions are, though her “circumstance is movie-size”. She released her latest batch of songs on the Internet in July 2010. The lady doth protest too much, as a multitude of Lizzes deny their part in a gossip ring. Its refrain goes, "I think I'm a genius/ You're being a peni-us... colada, that is.". "Bollywood" is a song by American recording artist Liz Phair. Exile in Guyville, her gold-selling debut album, was enthusiastically praised upon its 1993 release, and spawned a rash of imitators during the following years, particularly American female singer/songwriters. Explain It To Me. 3:10 PREVIEW Bollywood. Though a consummate songwriter, Liz Phair is best known for her pre-Lilith feminist leanings. 2014 Preview SONG TIME Smoke. No matter where you stand on the Liz Phair discography divide, ‘Why Can’t I?’ is an undeniable earworm that introduced the formidable singer-songwriter to an entirely new generation of fans. Your email address will not be published. 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Liz Phair has returned from a five-year musical hiatus with Funstyle, an album that possesses a buttload of ammunition against the music industry and her ex-label Capitol Records.Phair … Even in the 90s indie rock scene, sexual desires were mostly metaphorical expressions, so when Phair sang “I’ll f__k you and your minions, too,” it was like an audio assault on pop culture. ... that there are some decent songs on it. Maybe Funstyle will be liberating for her; maybe, as with Self Portrait, her deck-clearing exercise will let her shake off aspects of the way she's understood that she finds burdensome. It’s not the first rush of love, nor its cruel decay, but the familiar interim as Phair insists she won’t “decorate my love” over and over until the song fades away. By the time you reach the penultimate track on Exile In Guyville, Phair has spent the majority of the album taking aim at the snobbish alt.rock scene that grew out of Chicago’s Wicker Park neighbourhood, while simultaneously trying to earn her place in it. Popular Song Lyrics. … With her tongue firmly in her cheek, Phair makes no bones about her ambitions and calls out her peers for not being honest enough to make the same confession. Funstyle is musically diverse and a big step to the side from the more radio friendly material on Liz Phair and Somebody's Miracle. Required fields are marked *. Top Lyrics of 2009. Naturally, the immediate reaction to Funstyle was "What is this shit?" Though spare in its lyricism, ‘Never Said’ sounds tailor-made for college radio, with its angsty grunge guitars and multitrack harmonies. Personally, I am a big fan of Somebody's Miracle, although I know a lot of people don't like Liz's later stuff, damning those albums as too commercial. Funstyle is musically diverse and a big step to the side from the more radio friendly material on Liz Phair and Somebody's Miracle. Even amid the Matrix-provided pop production of her self-titled album, Phair retains her feminist streak, asking if she can still be idolised if she’s an “average everyday sane psycho” who takes out the trash over fuzzed-out guitars. But you wouldn’t know that from the album opener, a cynical meet-cute that’s just Phair and a plinking piano, in which she recalls a one-night stand to the tune of ‘Chopsticks’. Dance Of The Seven Veils. On the blunt anthem ‘F__k And Run’ she laments the demise of “all that stupid old s__t/Like letters and sodas” of courtship, as she lets her “cool girl” façade slip. Universally adored by critics, the album established Phair as a confident songwriter who could craft individualistic pop songs with lyrical candour and sharp narrative detail. Speaking of this album, Phair posted the following message on her website: Music video by Liz Phair performing Why Can't I?.#LizPhair #WhyCantI #Vevo Bang! Reuniting with producer Brad Wood, who was behind her string of classics – Exile In Guyville, Whip-Smart and Whitechocolatespaceegg – ‘Good Side’ offered a tantalising preview of Phair’s long-awaited seventh album. It’s sad that these tracks obscure what decent, but largely anodyne songs that lurk on Funstyle, in particular “Miss September”, the sassy rock of “My My” and “And He Slayed Her”. While many of her rarities, soundtrack cuts and two whole EPs’ worth of music are not on streaming services, many of the best Liz Phair songs are available and ripe for exploration. Think we’ve missed one of your best Liz Phair songs? Even as her sound evolved, Liz Phair retained the same conversational quality to her voice and lyricism that makes ‘Polyester Bride’ one of the standouts on Whitechocolatespaceegg. Hidden among the pop-rock ballads and slick anthems on her self-titled album is ‘Firewalker’. As anyone who’s endured romantic squabbles in the car can attest, sometimes the most casual insults can also be the most cutting. Save my name, email, and website in this browser for the next time I comment. Exiled in adulthood, she confronts her younger self and asks if she made the right choices. 2:42 PREVIEW You Should Know Me. The songs left over from the original, non-Matrix album form the emotional core of Liz Phair and make it worth hearing. Personally, I am a big fan of Somebody's Miracle, although I know a lot of people don't like Liz's later stuff, damning those albums as too commercial. “Fuck And Run” (from Exile In Guyville, 1993) “Fuck And Run” is the quintessential Phair single; it … This is Phair razing her image to the ground: spitting at anyone who thinks they know who "Liz Phair" is, or expects her to make Guyville VI: The Return of the Exile. It has some rough edges, but it's far more interesting than the two prior albums, both the industry's idea of what a Liz Phair … "And He Slayed Her" has one terrific, furious line ("I mean, what kind of kid were you when you were a kid?/ What kind of man would do what you did?" Top Lyrics of 2010. It's plausible. With towering hooks and even bigger choruses, Phair rises to the occasion, even as she’s calling out indecisive lovers. Sometime over the Fourth of July weekend, Liz Phair's site announced the digital availability of her sixth album, which nobody knew was coming. Phair may be diminutive in stature, but not in bravado, as she stares down her target on Exile In Guyville’s caustic opener. That was, of course, followed by a wave of contrarianism: admirers of Phair's early records arguing that actually it's pretty okay, that it's raw and eccentric and personal in a way her albums haven't been since the 1990s, that there are some decent songs on it. 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